Carlo Muscat quintet featuring Luis Deniz
May 13 @ 5:00 PM

Carlo Muscat: Tenor Sax
Luis Deniz: Alto sax
Diogo Peixoto: Guitar
Marika Galea: Bass
Eric Platz: Drums

NO RESERVATIONS

PAY WHAT YOU CAN

​Carlo Muscat is recognized as one of the most promising voices on the European jazz scene. With seven albums already to his name, Muscat has established himself as a distinctive saxophonist and composer, a journey that now culminates in the release of his eighth album as a leader. For this concert, he presents the music from this latest project, That’s About It, originally recorded in Kyiv under wartime conditions with a Ukrainian ensemble.

His sixth album, Hymns, received critical acclaim, earning a four-star rating from Downbeat Magazine and a place on their Best Albums of 2023 list. This recognition marked a defining moment in his artistic development and his emergence as a distinct presence in contemporary jazz.

His seventh album, The Body Is Only Light, was released in October 2024 on the American label ears&eyes Records. Recorded in Kyiv on Sunday 24th March 2024, it features a dynamic Ukrainian rhythm section interpreting his compositions. The album reflects the emotional weight of his experiences in Ukraine, a country he has been deeply connected to since before the Russian invasion. The music captures an essence of freedom, strength, grief, determination, outrage, love, and hope.
Winner of the Grand Prix de Jazz General Motors 2006 at  the Montreal Jazz Festival(David Virelles Quintet) and  Galaxie Rising Star 2010 at the Halifax Jazz Festival(Rich  Brown & Rinsethealgorithm),Grammy Nominated and  Juno Award Wining artist(Hilario Duran Latin Jazz Big  Band),alto saxophonist Luis Deniz was born in Camaguey,  Cuba on April 21st, 1983. In 1993, Luis started his musical  studies at the Escuela Vocacional de Arte Luis Casas  Romero in his hometown of Camaguey, where he  subsequently continued at the Escuela Profesional de  Musica Jose White. Luis later moved to the Cuban capital,  where he gratuated at the prestigious Escuela Nacional de  Musica (ENA), the alma mater of several of Cuba's most  prominent musicians. After graduating with high honors,  he was awarded 1st place at the international jazz  competition JOJAZZ, held in Havana(2003). Luis also kept  a busy schedule, both teaching saxophone at the National  School of Music and playing locally and touring  internationally as well,Luis has performed and given  workshops all over Cuba, Australia, Japan, USA, Canada,  Bermuda, Spain, Germany, France, Belgium, England,  Ireland, Scotland, Luxembourg and Switzerland. Upon his  arrival in Toronto in 2004, Deniz has performed/ recorded  with some of Toronto and International most outstanding  musicians, including Mark Turner,Tony Allen(Fela Kuti)  Hilario Duran, Luis Mario Ochoa, Paquito D Rivera,  Horacio El Negro Hernandez, Reg Schwager, Dafnis  Prieto, Francisco Mela, Barry Romberg, Darren  Sigesmund, Cubanismo, Rich Brown's Rinsethealgorithm 

and Rich Brown & The Abeng(currently), Mark Kelso & the  jazz Exiles, NOJO, Kirk MacDonald Jazz  

Orchestra,Roberto Occhipinti, Canadian Idol jazz  Orchestra,The Art of Jazz Orchestra, Jane Bunnett,  Canada’s Global Orchestra Kune, among others.He has  also shared the stage with international figures such as  Barry Harris,Howard Johnson, Ray Vega, Steve Turre,  Randy Brecker, Donald Harrison,Ingrid Jensen, Mark  Feldman, Gary Versace and Hermeto Pascoal. One of the  highlights of Luis’s career has been as educator as well,  acting as a part time faculty member at Toronto’s Humber  College, since September 2013, as well as University of  Toronto Jazz studies, since September 2021, imparting  private saxophone lessons and as a small and large  ensemble instructor, and as associate professor of  saxophone at Brandon University since January 2024.With  an impressive career as a sideman and saxophonist, Luis  keeps on working on his own development. In 2010 he  was awarded a Canada Council for the Arts Grant to study  with innovative saxophonist Greg Osby in New York City.  With all this achievements, Luis Deniz is definitely a name  to look for in the future of jazz. Luis Deniz’s debut album  entitled “ El Tinajon”, on Modica Music, was released in  May 2021, and has been positively received by critics and  fans alike. Luis plays exclusively Yamaha Saxophones,  Legere reeds and BG France accessories.

John Hollenbeck's GEORGE
May 13, 14, 15, 16 @ 8:00 PM

Anna Webber-tenor sax/flute
Sarah Rossy-voice/synth
special guest Yvonne Rogers-synths/piano
John Hollenbeck-drums/composition

GEORGE is what happens when groove meets inquiry — when analog warmth and digital edge blur into something both unexpected and deeply human. Formed by composer/drummer John Hollenbeck during the stillness of the pandemic, the quartet quickly became a fully realized ensemble.

Featuring Anna Webber (tenor saxophone, flute), Sarah Rossy (voice, synthesizer), Chiquita Magic (synthesizers, voice), and John Hollenbeck (drums, composition), GEORGE creates music that lives in the margins — between vintage funk and futuristic electronica, jazz and art-pop, structure and improvisation. As DownBeat noted, “Magic happens in the margins and the middle.” As Pitchfork observed, when the band locks in, its energy is “as infectious as a perfect pop tune.”

But GEORGE isn’t just about sound — it’s about resonance.

The band is named in tribute to George Floyd — in remembrance of his life and the violence that ended it. The name also resonates with a wide constellation of Georges: the Greek georgos (“earthworker”), George Washington Carver, George Clinton, George Orwell, Georgia O’Keeffe, George Saunders, George Lewis, George Gervin. Saints and revolutionaries. Artists and outsiders. The name carries history, contradiction, groove, and gravity.

These themes are woven seamlessly into performances audiences describe as sublime, immersive, surprising, and deeply nourishing.

Their debut album, Letters to George (Out Of Your Head Records, 2023), was praised by AllMusic as “a remarkable debut” featuring “captivating, provocative compositions.” In 2026, GEORGE releases Looking for Consonance, also on Out Of Your Head Records,  recorded at Hansa Studios in Berlin. The album expands the band’s sonic world while deepening its emotional and political clarity. From groove-driven pieces like “bounce,” to the diasporic offering “Nassam Alayna-LHawa,” to “Norma (in support of reproductive autonomy),” the music moves fluidly between celebration and reflection, tension and release.

Live, GEORGE is immersive, dynamic, and deeply felt. Wordless vocal harmonies dissolve into microtonal synth textures. Tenor saxophone lines soar over rhythmic frameworks that are both tight and expansive. Drums shift from whisper to thunder. The band’s compact instrumentation belies a vast sonic palette — at times orchestral, at times intimate.

Each member brings a singular voice:

Anna Webber is a flutist, saxophonist, and composer whose interests and work live in the aesthetic overlap between avant-garde jazz and new classical music. She was recently named a 2021 Berlin Prize Fellow and was voted the top “Rising Star” flutist in the 2020 

Downbeat Critic’s Poll. 

Sarah Rossy is a vocalist, keyboardist, composer and producer based in Montreal, Canada. Sarah's practice combines live electronic processing with jazz, folk, and Arabic music to create autobiographical, ethereal, and socially-outspoken soundscapes. Recent themes in Sarah's work include ancestral continua, intergenerational linkage and community healing. A debut audiovisual album, a tender autobiographical soundscape imagined through a kaleidoscopic electronic jazz lens entitled 'OF WHO WE HAVE BECOME', is set for release in 2024.
SPECIAL GUEST: Yvonne Rogers is a pianist, composer, and multimedia artist from Maine, now based in Brooklyn, New York. Her work is rooted in improvisation and play, blending avant-garde jazz with contemporary composition and intuitive, textural exploration. Described as a “fresh, new voice on piano” (The Free Jazz Collective), she leads her own projects — including her 2023 debut album Seeds, a suite of lyrical, playful and collaborative music — and appears on trumpet-leader Adam O’Farrill’s 2026 album ELEPHANT, where her piano and synthesizer work contributes to the quartet’s fluid, genre-blurring sound.

Genre-crossing composer/percussionist John Hollenbeck, renowned in both the jazz and new-music worlds, has gained widespread recognition as the driving force behind the unclassifiable Claudia Quintet and the ambitious John Hollenbeck Large Ensemble, groups with roots in jazz, world music, and contemporary composition. He has earned six GRAMMY nominations and has worked with many of the world's leading musicians in jazz including Bob Brookmeyer, Fred Hersch, Tony Malaby, and is well known in new-music circles for his long-time collaboration with Meredith Monk.

Together, they deliver music that is inventive yet deeply human — groove-centered, emotionally generous, and instantly engaging.

Fern Lindzon
May 14 @ 5:00 PM

Fern Lindzon - Piano / Vocals
Chris Parnis - Bass
Ethan Ardelli - Drums

NO RESERVATIONS

PAY WHAT YOU CAN

“Fern Lindzon is an engaging pianist and singer who brings an unassuming authority, an inquiring spirit and a natural grace to contemporary jazz.” – Mark Miller, jazz writer

With the release of her third CD, Like a Circle in a Spiral, in 2014, Fern Lindzon has continued to put her own, unique spin on contemporary jazz.

The Toronto singer, pianist, arranger, composer and 2012 JUNO Award Nominee has again drawn on a wide range of inspirations, finding both the personal and the universal in the work of Michel Legrand, Egberto Gismonti, Cole Porter, Mary Lou Williams and others old and new, near and far, all warmly sung, imaginatively arranged and gracefully played. This wealth of musical riches is complemented by the work of saxophonist David French, vibraphonist Michael Davidson, bassist George Koller (also the recording’s producer), drummer Nick Fraser and guest flutist Bill McBirnie.

Like a Circle in a Spiral is the culmination to date of a fascinating musical journey that began when Fern took classical voice and piano lessons as a child and continued through a degree in music history at the University of Toronto, studies with Frank Falco and Don Thompson and on, as a performer, into jazz and world music.

Since its launch in May 2014 at Toronto’s prestigious Jazz Bistro, Like a Circle in a Spiral has received extensive airplay and uniformly favorable reviews. Stuart Broomer, writing in The WholeNote, described Fern as “a rare jazz singer” and noted that her “strong identity [is] based on nuanced expression, a clear, almost silky voice, and a freedom from the collections of mannerisms that many jazz singers use to distinguish themselves.” Shelley Gummeson, commenting in !earshot, suggested that Fern “personifies a woman who lives confidently with her own instincts and artistry” on Like a Circle in a Spiral, and lauded her interpretations as “smart and smouldering” and “sublimely elegant.”

Like a Circle in a Spiral follows Two Kites (2011), which was nominated for a Juno Award in 2012 as Vocal Jazz Album of the Year. The work of “a rare and fascinating talent,” in the words of Montreal writer Irwin Block, Two Kites features Fern with George Koller, Nick Fraser and saxophonist Mike Murley in a typically embracing Lindzon program that flies gracefully on the winds of contemporary jazz, soaring from Antonio Carlos Jobim to Norma Winstone and touching down in Eastern Europe and on Broadway and Basin Street along the way. Fern’s Juno nomination for Two Kites was foreshadowed by a juried Special Projects award from Toronto Downtown Jazz in support of the CD’s launch in April 2011 Toronto’s Lula Lounge.

Her first CD, Moments Like These (2008), of duets with George Koller, vibraphonist Don Thompson and guitarist Reg Schwager, was also critically well received and brought her to national attention through a feature article in The Globe and Mail and a broadcast performance in 2009 on CBC Radio’s Canada Live. Tracks from all three of her CDs have been heard widely on other CBC radio programs, JAZZ.FM91, Espace Musique and many college and community stations across Canada.

Fern herself has appeared in leading jazz clubs in Toronto, Montreal, Vancouver, Victoria, Ottawa and Waterloo, and at several festivals in Ontario, notably the Barrie Jazz and Blues Festival, where she has been a favorite for several years and in 2011 presented a special concert in tribute to the great American pianist and composer Mary Lou Williams.

Fern’s embracing vision of music has further been evident in her work as the music director from 2005 to 2011 of the klezmer-swing Sisters of Sheynville, who appeared at world music events in Canada, the United States and Poland, and won the Canadian Folk Music Award in 2008 for Vocal Group of the Year. She received a Canada Council grant in 2009 to study Yiddish repertoire and improvisation with Marilyn Lerner in Toronto and has also studied improvisation with Alan Bern at Yiddish Summer Weimar in Germany. More recently, she has collaborated on special Jewish music projects in Toronto with singer Theresa Tova and trumpeter David Buchbinder.

In 2010 she entered a new musical phase of her career when she led her own jazz/klezmer sextet in several performances of her original score for Buster Keaton’s Sherlock Jr. at the Toronto International Film Festival’s Bell Lightbox. Fern has continued to compose and improvise scores for other classic films by Keaton, Charlie Chaplin and others presented by the TIFF Bell Lightbox, the Toronto Silent Film Festival and the Vintage Film Festival.

Even as Like a Circle in a Spiral brings Fern new fans internationally, she remains vitally involved in the Toronto music scene as a performer and composer, a community event organizer and a voice and piano teacher, roles that she plays with an ever-inquiring mind and a wonderful generosity of spirit.

John Hollenbeck's GEORGE
May 13, 14, 15, 16 @ 8:00 PM

Anna Webber-tenor sax/flute
Sarah Rossy-voice/synth
special guest Yvonne Rogers-synths/piano
John Hollenbeck-drums/composition

GEORGE is what happens when groove meets inquiry — when analog warmth and digital edge blur into something both unexpected and deeply human. Formed by composer/drummer John Hollenbeck during the stillness of the pandemic, the quartet quickly became a fully realized ensemble.

Featuring Anna Webber (tenor saxophone, flute), Sarah Rossy (voice, synthesizer), Chiquita Magic (synthesizers, voice), and John Hollenbeck (drums, composition), GEORGE creates music that lives in the margins — between vintage funk and futuristic electronica, jazz and art-pop, structure and improvisation. As DownBeat noted, “Magic happens in the margins and the middle.” As Pitchfork observed, when the band locks in, its energy is “as infectious as a perfect pop tune.”

But GEORGE isn’t just about sound — it’s about resonance.

The band is named in tribute to George Floyd — in remembrance of his life and the violence that ended it. The name also resonates with a wide constellation of Georges: the Greek georgos (“earthworker”), George Washington Carver, George Clinton, George Orwell, Georgia O’Keeffe, George Saunders, George Lewis, George Gervin. Saints and revolutionaries. Artists and outsiders. The name carries history, contradiction, groove, and gravity.

These themes are woven seamlessly into performances audiences describe as sublime, immersive, surprising, and deeply nourishing.

Their debut album, Letters to George (Out Of Your Head Records, 2023), was praised by AllMusic as “a remarkable debut” featuring “captivating, provocative compositions.” In 2026, GEORGE releases Looking for Consonance, also on Out Of Your Head Records,  recorded at Hansa Studios in Berlin. The album expands the band’s sonic world while deepening its emotional and political clarity. From groove-driven pieces like “bounce,” to the diasporic offering “Nassam Alayna-LHawa,” to “Norma (in support of reproductive autonomy),” the music moves fluidly between celebration and reflection, tension and release.

Live, GEORGE is immersive, dynamic, and deeply felt. Wordless vocal harmonies dissolve into microtonal synth textures. Tenor saxophone lines soar over rhythmic frameworks that are both tight and expansive. Drums shift from whisper to thunder. The band’s compact instrumentation belies a vast sonic palette — at times orchestral, at times intimate.

Each member brings a singular voice:

Anna Webber is a flutist, saxophonist, and composer whose interests and work live in the aesthetic overlap between avant-garde jazz and new classical music. She was recently named a 2021 Berlin Prize Fellow and was voted the top “Rising Star” flutist in the 2020 

Downbeat Critic’s Poll. 

Sarah Rossy is a vocalist, keyboardist, composer and producer based in Montreal, Canada. Sarah's practice combines live electronic processing with jazz, folk, and Arabic music to create autobiographical, ethereal, and socially-outspoken soundscapes. Recent themes in Sarah's work include ancestral continua, intergenerational linkage and community healing. A debut audiovisual album, a tender autobiographical soundscape imagined through a kaleidoscopic electronic jazz lens entitled 'OF WHO WE HAVE BECOME', is set for release in 2024.
SPECIAL GUEST: Yvonne Rogers is a pianist, composer, and multimedia artist from Maine, now based in Brooklyn, New York. Her work is rooted in improvisation and play, blending avant-garde jazz with contemporary composition and intuitive, textural exploration. Described as a “fresh, new voice on piano” (The Free Jazz Collective), she leads her own projects — including her 2023 debut album Seeds, a suite of lyrical, playful and collaborative music — and appears on trumpet-leader Adam O’Farrill’s 2026 album ELEPHANT, where her piano and synthesizer work contributes to the quartet’s fluid, genre-blurring sound.

Genre-crossing composer/percussionist John Hollenbeck, renowned in both the jazz and new-music worlds, has gained widespread recognition as the driving force behind the unclassifiable Claudia Quintet and the ambitious John Hollenbeck Large Ensemble, groups with roots in jazz, world music, and contemporary composition. He has earned six GRAMMY nominations and has worked with many of the world's leading musicians in jazz including Bob Brookmeyer, Fred Hersch, Tony Malaby, and is well known in new-music circles for his long-time collaboration with Meredith Monk.

Together, they deliver music that is inventive yet deeply human — groove-centered, emotionally generous, and instantly engaging.

Bob Brough Birthday
May 15 @ 5:00 PM

David Occhipinti - guitar, Artie Roth - bass, Terry Clarke - drums. And of course, me on saxophone.

NO RESERVATIONS

PAY WHAT YOU CAN

A driving force on Canada’s jazz scene since the 1980s, the Bob Brough Quartet  delivers dynamic, straight-ahead jazz rooted in tradition and fueled by modern  energy. The group has shared major festival stages across the country, including  opening night of the 2004 Ottawa International Jazz Festival, where they opened for  the Herbie Hancock All-Star Band. 

With three chart-topping recordings to their credit — including A Decade of  Favourites, Like A Spring Day and Time Away — the Quartet continues to earn radio  play and captivate audiences nationwide. A mainstay in Toronto, they perform  regularly at The Rex, The Pilot, and The Jazz Bistro, bringing swing, soul, and  spontaneity to every stage.

John Hollenbeck's GEORGE
May 13, 14, 15, 16 @ 8:00 PM

Anna Webber-tenor sax/flute
Sarah Rossy-voice/synth
special guest Yvonne Rogers-synths/piano
John Hollenbeck-drums/composition

GEORGE is what happens when groove meets inquiry — when analog warmth and digital edge blur into something both unexpected and deeply human. Formed by composer/drummer John Hollenbeck during the stillness of the pandemic, the quartet quickly became a fully realized ensemble.

Featuring Anna Webber (tenor saxophone, flute), Sarah Rossy (voice, synthesizer), Chiquita Magic (synthesizers, voice), and John Hollenbeck (drums, composition), GEORGE creates music that lives in the margins — between vintage funk and futuristic electronica, jazz and art-pop, structure and improvisation. As DownBeat noted, “Magic happens in the margins and the middle.” As Pitchfork observed, when the band locks in, its energy is “as infectious as a perfect pop tune.”

But GEORGE isn’t just about sound — it’s about resonance.

The band is named in tribute to George Floyd — in remembrance of his life and the violence that ended it. The name also resonates with a wide constellation of Georges: the Greek georgos (“earthworker”), George Washington Carver, George Clinton, George Orwell, Georgia O’Keeffe, George Saunders, George Lewis, George Gervin. Saints and revolutionaries. Artists and outsiders. The name carries history, contradiction, groove, and gravity.

These themes are woven seamlessly into performances audiences describe as sublime, immersive, surprising, and deeply nourishing.

Their debut album, Letters to George (Out Of Your Head Records, 2023), was praised by AllMusic as “a remarkable debut” featuring “captivating, provocative compositions.” In 2026, GEORGE releases Looking for Consonance, also on Out Of Your Head Records,  recorded at Hansa Studios in Berlin. The album expands the band’s sonic world while deepening its emotional and political clarity. From groove-driven pieces like “bounce,” to the diasporic offering “Nassam Alayna-LHawa,” to “Norma (in support of reproductive autonomy),” the music moves fluidly between celebration and reflection, tension and release.

Live, GEORGE is immersive, dynamic, and deeply felt. Wordless vocal harmonies dissolve into microtonal synth textures. Tenor saxophone lines soar over rhythmic frameworks that are both tight and expansive. Drums shift from whisper to thunder. The band’s compact instrumentation belies a vast sonic palette — at times orchestral, at times intimate.

Each member brings a singular voice:

Anna Webber is a flutist, saxophonist, and composer whose interests and work live in the aesthetic overlap between avant-garde jazz and new classical music. She was recently named a 2021 Berlin Prize Fellow and was voted the top “Rising Star” flutist in the 2020 

Downbeat Critic’s Poll. 

Sarah Rossy is a vocalist, keyboardist, composer and producer based in Montreal, Canada. Sarah's practice combines live electronic processing with jazz, folk, and Arabic music to create autobiographical, ethereal, and socially-outspoken soundscapes. Recent themes in Sarah's work include ancestral continua, intergenerational linkage and community healing. A debut audiovisual album, a tender autobiographical soundscape imagined through a kaleidoscopic electronic jazz lens entitled 'OF WHO WE HAVE BECOME', is set for release in 2024.
SPECIAL GUEST: Yvonne Rogers is a pianist, composer, and multimedia artist from Maine, now based in Brooklyn, New York. Her work is rooted in improvisation and play, blending avant-garde jazz with contemporary composition and intuitive, textural exploration. Described as a “fresh, new voice on piano” (The Free Jazz Collective), she leads her own projects — including her 2023 debut album Seeds, a suite of lyrical, playful and collaborative music — and appears on trumpet-leader Adam O’Farrill’s 2026 album ELEPHANT, where her piano and synthesizer work contributes to the quartet’s fluid, genre-blurring sound.

Genre-crossing composer/percussionist John Hollenbeck, renowned in both the jazz and new-music worlds, has gained widespread recognition as the driving force behind the unclassifiable Claudia Quintet and the ambitious John Hollenbeck Large Ensemble, groups with roots in jazz, world music, and contemporary composition. He has earned six GRAMMY nominations and has worked with many of the world's leading musicians in jazz including Bob Brookmeyer, Fred Hersch, Tony Malaby, and is well known in new-music circles for his long-time collaboration with Meredith Monk.

Together, they deliver music that is inventive yet deeply human — groove-centered, emotionally generous, and instantly engaging.

Diane Roblin’s Life Force
May 16 @ 2:00 PM

Diane Roblin - Piano/Keys/Compositions
George Koller - Electric/Upright bass
Kevin Turcotte - Trumpet/Flugelhorn
John Johnson - Bass Clarinet/Tenor Sax
Colleen Allen - Soprano/Alto sax
TIm Shia - Drums

Diane Roblin’s Life Force band has been described as a "virtuosic  ensemble of Canadian hotshots” who play Diane’s diverse and spirited compositions that blend her broad influences ranging from high-energy  jazz-funk to impressionism…something unique to offer jazz  fans" (JAZZ.FM91). 

Diane Roblin’s dynamic career has earned her a place among Canada’s most respected women in jazz.  Diane is an International Songwriter Competition winner.  She is known for her powerful compositions and expressive keyboard style blending technical agility with a deep commitment to the connective power of music. As a composer, pianist, electric keyboardist, improviser, and bandleader, Diane’s spirited, genre-crossing work has led to collaborations with artists ranging from avant-garde improviser Charles Gayle to the iconic rock band Rough Trade. Her new album, Breath of Fresh Air, released on Zsan Records in late 2024, continues this legacy. It showcases Roblin’s expansive musical voice, weaving jazz, funk, and impressionist harmony into compositions that are both adventurous and deeply moving. Leading her six-piece ensemble, Life Force, Diane explores high-energy soundscapes punctuated by intricate, emotionally resonant improvisations. A classical pianist by training, Diane pursued a diverse music education,  immersing herself in jazz improvisation, world music, as well as electronic composition with David Rosenboom. She has also studied with mridangam master Trichy Sankaran and participated in the Ornette Coleman/Karl Berger workshop in NYC, where she worked with luminaries like Lee Konitz, and in the Dutch Improv Academy with drummer Hans Bennink. Diane’s collaborations span an impressive range of Canadian jazz and experimental musicians, and she regularly performs in both traditional and experimental contexts.  Her CDs have had international airplay and her performances have reached audiences at major venues and festivals in North America and Europe including Amsterdam’s Bimhuis and New York’s Smalls. Diane is also an active member of the Association of Canadian Women Composers. www.dianeroblin.com

Neon Eagle
may 16, 23, 30 @ 5:00 PM

Led by: Mike Eckert - Pedal Steel

No Reservations
Pay What You Can

Bringing entrancing instrumental fusion music featuring the pedal steel.

Come in, sit back, and feel the hypnotic vibes of this incredible group!

John Hollenbeck's GEORGE
May 13, 14, 15, 16 @ 8:00 PM

Anna Webber-tenor sax/flute
Sarah Rossy-voice/synth
special guest Yvonne Rogers-synths/piano
John Hollenbeck-drums/composition

GEORGE is what happens when groove meets inquiry — when analog warmth and digital edge blur into something both unexpected and deeply human. Formed by composer/drummer John Hollenbeck during the stillness of the pandemic, the quartet quickly became a fully realized ensemble.

Featuring Anna Webber (tenor saxophone, flute), Sarah Rossy (voice, synthesizer), Chiquita Magic (synthesizers, voice), and John Hollenbeck (drums, composition), GEORGE creates music that lives in the margins — between vintage funk and futuristic electronica, jazz and art-pop, structure and improvisation. As DownBeat noted, “Magic happens in the margins and the middle.” As Pitchfork observed, when the band locks in, its energy is “as infectious as a perfect pop tune.”

But GEORGE isn’t just about sound — it’s about resonance.

The band is named in tribute to George Floyd — in remembrance of his life and the violence that ended it. The name also resonates with a wide constellation of Georges: the Greek georgos (“earthworker”), George Washington Carver, George Clinton, George Orwell, Georgia O’Keeffe, George Saunders, George Lewis, George Gervin. Saints and revolutionaries. Artists and outsiders. The name carries history, contradiction, groove, and gravity.

These themes are woven seamlessly into performances audiences describe as sublime, immersive, surprising, and deeply nourishing.

Their debut album, Letters to George (Out Of Your Head Records, 2023), was praised by AllMusic as “a remarkable debut” featuring “captivating, provocative compositions.” In 2026, GEORGE releases Looking for Consonance, also on Out Of Your Head Records,  recorded at Hansa Studios in Berlin. The album expands the band’s sonic world while deepening its emotional and political clarity. From groove-driven pieces like “bounce,” to the diasporic offering “Nassam Alayna-LHawa,” to “Norma (in support of reproductive autonomy),” the music moves fluidly between celebration and reflection, tension and release.

Live, GEORGE is immersive, dynamic, and deeply felt. Wordless vocal harmonies dissolve into microtonal synth textures. Tenor saxophone lines soar over rhythmic frameworks that are both tight and expansive. Drums shift from whisper to thunder. The band’s compact instrumentation belies a vast sonic palette — at times orchestral, at times intimate.

Each member brings a singular voice:

Anna Webber is a flutist, saxophonist, and composer whose interests and work live in the aesthetic overlap between avant-garde jazz and new classical music. She was recently named a 2021 Berlin Prize Fellow and was voted the top “Rising Star” flutist in the 2020 

Downbeat Critic’s Poll. 

Sarah Rossy is a vocalist, keyboardist, composer and producer based in Montreal, Canada. Sarah's practice combines live electronic processing with jazz, folk, and Arabic music to create autobiographical, ethereal, and socially-outspoken soundscapes. Recent themes in Sarah's work include ancestral continua, intergenerational linkage and community healing. A debut audiovisual album, a tender autobiographical soundscape imagined through a kaleidoscopic electronic jazz lens entitled 'OF WHO WE HAVE BECOME', is set for release in 2024.
SPECIAL GUEST: Yvonne Rogers is a pianist, composer, and multimedia artist from Maine, now based in Brooklyn, New York. Her work is rooted in improvisation and play, blending avant-garde jazz with contemporary composition and intuitive, textural exploration. Described as a “fresh, new voice on piano” (The Free Jazz Collective), she leads her own projects — including her 2023 debut album Seeds, a suite of lyrical, playful and collaborative music — and appears on trumpet-leader Adam O’Farrill’s 2026 album ELEPHANT, where her piano and synthesizer work contributes to the quartet’s fluid, genre-blurring sound.

Genre-crossing composer/percussionist John Hollenbeck, renowned in both the jazz and new-music worlds, has gained widespread recognition as the driving force behind the unclassifiable Claudia Quintet and the ambitious John Hollenbeck Large Ensemble, groups with roots in jazz, world music, and contemporary composition. He has earned six GRAMMY nominations and has worked with many of the world's leading musicians in jazz including Bob Brookmeyer, Fred Hersch, Tony Malaby, and is well known in new-music circles for his long-time collaboration with Meredith Monk.

Together, they deliver music that is inventive yet deeply human — groove-centered, emotionally generous, and instantly engaging.

Marc Decho’s “Bom Começo” – A Celebration of Afro-Brazilian Jazz
May 16 @ 11:00 PM

Marc Decho- Electric Bass / Compositions

Anh Phung - Flute / Electronics

Jeremy Ledbetter - Piano

Marito Marques – Drums

Dijerdam “Baiano” Gomes - Percussion

No Reservations
Pay What You Can

The latest project from acclaimed Toronto based electric bassist and composer Marc Decho. This dynamic, multi-cultural ensemble brings to life an irresistible blend of rhythm, harmony, and improvisation through all-original Afro-Brazilian Jazz works.  With Bom Começo (“Good Beginning”), Marc Decho leads audiences on a soulful journey that bridges continents and cultures — honoring the timeless traditions of Afro-Brazilian music while pushing the boundaries of modern jazz.

By bringing together artists with deep ties to Brazilian, Afro-diasporic, Cuban and Portuguese musical practices, the project fosters cross-cultural dialogue, expands the sonic palette of Canadian jazz, and creates a space for innovative musical exploration that situates traditional rhythms of Bahia with the rhythmic, melodic, and harmonic innovations of modern jazz giants such as Hermeto Pascoal

Laura hubert Band
May 3, 17, 31 @ 5:00 PM

Led by : Laura Hubert - Vocals

No Reservations
Pay What You Can

Canadian vocal treasure, born and raised in Toronto, Laura Hubert has remained a steady force on the city’s music scene over the past 25 years. Although she retired from rock and roll back per se when JUNO-winning indie-rock group Leslie Spit Treeo split up late last millennium, for several decades now she has been singing her soulful interpretations of vintage blues, jazz and Western swing all over the Greater Toronto Area. “I want to participate in the joy of the world, try to keep it light,” says Hubert.  “Just trying to have some fun. Sing some songs. Make some music. Give some joy.”

Over the years she recorded 3 solo albums with her band, led by pianist Peter Hill and featuring some of Toronto’s finest including Chris Whiteley, Brandi Disterheft, Victor Bateman, William Sperandei: “Girlish Days” (2000), “Live at the Rex” (2001) and “Half Bridled” (2004).

In the years since these recordings, Hubert and her fans enjoyed residencies at venerable venues such as Grossman’s Tavern, The Cameron House and The Rex Hotel. Singing many of the same old classic songs over the years, like the finest of wine Hubert’s art has aged in the best way, her bluesy growl deeper and more powerful than ever.

“One Night in Kensington” is an initiative spearheaded by Order of Canada member, singer-songwriter and long-time friend of Hubert, is the new recording fans have long been waiting for. “Hubert’s unique and soulful vocal delivery can make any old song sound brand new,” says Molly Johnson.

Produced by Johnson and her Kensington Market Jazz Festival team, the new album live at Poetry Jazz Café find Hubert in the happy company of four very fine players: Eric St-Laurent on guitar, Davide DiRenzo on drums, Steve Wallace on bass and long-time musical partner Peter Hill on piano.  

Valérie Lacombe
May 17 & 18 @ 8:00 PM

Valérie Lacombe - Drums
Kirk MacDonald - Tenor
Mike Murley - Tenor
Jonathan Chapman - Bass

Valérie is a Montreal-based jazz drummer, bandleader, and composer whose work centers on original music for chordless quartet. Her debut album, State of Garden and Shadow, will be released on April 17th 2026 and features Camille Thurman on tenor saxophone, Caoilainn Power on alto saxophone, and Ira Coleman on bass. 

In 2026, she was selected for a residency at the Tribeca Jazz Institute in New York City, where she studied with Kenny Washington, Chris Byars, Eric Alexander, Harry Allen, Grant Stewart, Greg Ruggiero, and other leading figures of the New York jazz scene. 

Valerie holds a Master of Music in Jazz Performance from McGill University (2024), where she studied with Darrell Green and Kevin Dean. 

She is also a member of The Ostara Project, a Canadian collective featuring a rotating cast of award-winning women musicians, with whom she has toured extensively across Canada, including the Yukon Territory.

Chris Rice Trio
May 18 @ 5:00 PM

Chris Rice - Bass
Mateo Mancuso - Piano
Norbert Botos - Drums

No Reservations
Pay What You Can

Hailing from the British Columbia interior, Chris Rice is an upright bass player making big moves in the Toronto scene. Currently finishing his second year at Humber Polytechnics esteemed jazz program, and inspired by the legendary quarter notes of Ray Brown and Christian Mcbride Chris has been developing his own unique sound on, and off of the bandstand. 

Valérie Lacombe
May 17 & 18 @ 8:00 PM

Valérie Lacombe - Drums
Kirk MacDonald - Tenor
Mike Murley - Tenor
Jonathan Chapman - Bass

Valérie is a Montreal-based jazz drummer, bandleader, and composer whose work centers on original music for chordless quartet. Her debut album, State of Garden and Shadow, will be released on April 17th 2026 and features Camille Thurman on tenor saxophone, Caoilainn Power on alto saxophone, and Ira Coleman on bass. 

In 2026, she was selected for a residency at the Tribeca Jazz Institute in New York City, where she studied with Kenny Washington, Chris Byars, Eric Alexander, Harry Allen, Grant Stewart, Greg Ruggiero, and other leading figures of the New York jazz scene. 

Valerie holds a Master of Music in Jazz Performance from McGill University (2024), where she studied with Darrell Green and Kevin Dean. 

She is also a member of The Ostara Project, a Canadian collective featuring a rotating cast of award-winning women musicians, with whom she has toured extensively across Canada, including the Yukon Territory.

Trombone Charlotte
May 5, 12, 19, 26 @ 5:00 PM

BAND TBA

NO RESERVATIONS

PAY WHAT YOU CAN

A force in the city’s jazz scene since 2016, Charlotte has spent nearly a decade crafting her sound as both a sideman and star. Since stepping into the spotlight in 2021, she’s led high-energy ensembles across Canada’s top stages — Toronto Jazz Festival, Kensington Market Jazz Festival, Port Hope, Mont Tremblant, and a knockout appearance at Massey Hall’s Women’s Blues Revue where she belted out originals that brought the house down.

Classic REx jam
hosted by chris banks
May 5, 12, 19, and 26 @ 8:00pm

NO RESERVATIONS

$10 Cover Charge

Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!

Hosted by the legendary Chris Banks.

Chase Ward Quintet
May 20 @ 5:00 PM

Chase Ward - Drums
Joel Bracken - Tenor Saxophone
Miles Cakebread-Kraus - Guitar
Minh Hoang - Piano
Josh Warren - Bass

No Reservations
Pay What You Can

Chase Ward is a Toronto-based musician and composer originally from Victoria, BC. With a Bachelor of Music in Jazz Performance from Humber College, Ward creates art that invites people into a shared story, believing that wonder belongs to everyone and can change everything. His work is defined by curiosity, care, and a commitment to excellence that honours both his craft and his audience. 

A multi-instrumentalist with a collaborative spirit, Ward has performed and recorded widely as a sideman with artists and ensembles including The West Coast Soul Collective, The Simon Williams Sextet, Ryan Van Winkle (20 EYES), and The Mumbo Jumbo Combo. He has also appeared as a substitute percussionist for Disney’s The Lion King Musical, presented by Mirvish Productions in Toronto. 

Ward’s primary creative outlet is his trio, a dynamic, improvisatory project rooted in storytelling, spontaneity, and musical expedition. Featuring pianist/arranger Simon Williams and bassist Josh Warren, the group blends the jazz tradition with rhythmic 

influences from Latin, Afro-Cuban, and New Orleans music, crafting performances that are both grounded and exploratory. 

His debut record, Senary, is a vivid expression of his artistic purpose. Inspired by the dynamic chemistry of the Miles Davis Quintet and the rhythmic complexity of artists such as Dafnis Prieto and Eliane Elias, the album navigates the emotional landscape of Ward’s transition from the West Coast to Toronto. Featuring a range of guest musicians, including Latin percussionist Joaquín Núñez Hidalgo and vibraphonist Kayla Hoshizaki, Senary brings together harmonic richness, improvisational depth, and rhythmic drive in service of something larger: moments of shared wonder, reflection, and joy.

Brian Charette Organ Trio
May 20, 21, 22, 23 @ 8:00 PM

Brian Charette - Organ
Ted Quinlan - Guitar
Jordan Young - Drums

NYC and LA organist/pianist, Brian Charette, has established himself as a leading  voice in modern jazz. Charette is a Hammond U.S.A, Hammond Europe, I.K  Multimedia, and Casio endorsed, Cellar Live recording artist. Brian is a Critic’s  Poll and Reader’s Poll regular, in 2024, #2 on the 2024 Downbeat Critic’s Poll for  organ and #6 for keyboards. Brian was also the winner of the 2014 Downbeat Critics’ Poll “Rising Star: Organ” award and 2015 Hot House Magazine's “Fan's  Decision Jazz Award for Best Organist”. Charette’s new Cellar Live release,  Jackpot, was recorded at Rudy Van Gelder’s hallowed studio featuring Bill Stewart  on drums. The album received 4 stars from Downbeat and was on the Jazzweek radio chart for months, peaking at #9 for 6 weeks. Charette is also a prolific  composer of large ensemble music, penning and performing compositions with  The Jazz Dock Orchestra in Prague and The Modern Art Orchestra in Budapest

Matt Endahl Quartet
May 21 @ 5:00 PM

Matt Endahl - Piano
Dan Fortin - Bass
Allison Au - Saxophones
Nick Fraser - Drums

No Reservations
Pay What You Can

Matthew Endahl (he/him, she/her) is a genderfluid pianist and improviser who has worked in improvised music for many years. Born and raised in Michigan, Matt worked as a bandleader and sideman in the Ann Arbor scene for 10 years. She moved to Nashville in 2013 and soon became one of the most in-demand pianists in Middle Tennessee. In 2022, Matthew moved to Ontario to work on his PhD in Critical Studies in Improvisation at the University of Guelph. Locally, Matthew works with the interdisciplinary improvisation project Almost Alchemy, and also plays with the Ted Warren Trio and Joe Sorbara’s Temporary Ensembles, among other groups.

https://mattendahl.com/

For tonight’s performance, Matt will be joined by Toronto mainstays Allison Au, Dan Fortin, and Nick Fraser, and will present a selection of jazz standards and original compositions in the traditions of Black North American music.

Brian Charette Organ Trio
May 20, 21, 22, 23 @ 8:00 PM

Brian Charette - Organ
Ted Quinlan - Guitar
Jordan Young - Drums

NYC and LA organist/pianist, Brian Charette, has established himself as a leading  voice in modern jazz. Charette is a Hammond U.S.A, Hammond Europe, I.K  Multimedia, and Casio endorsed, Cellar Live recording artist. Brian is a Critic’s  Poll and Reader’s Poll regular, in 2024, #2 on the 2024 Downbeat Critic’s Poll for  organ and #6 for keyboards. Brian was also the winner of the 2014 Downbeat Critics’ Poll “Rising Star: Organ” award and 2015 Hot House Magazine's “Fan's  Decision Jazz Award for Best Organist”. Charette’s new Cellar Live release,  Jackpot, was recorded at Rudy Van Gelder’s hallowed studio featuring Bill Stewart  on drums. The album received 4 stars from Downbeat and was on the Jazzweek radio chart for months, peaking at #9 for 6 weeks. Charette is also a prolific  composer of large ensemble music, penning and performing compositions with  The Jazz Dock Orchestra in Prague and The Modern Art Orchestra in Budapest

Darren Johnston's Torontosaurus Quartet
May 22 @ 5:00 PM

Darren Johnston - Trumpet - Voice
Nick Fraser - Drums
Michael Davidson - Vibraphone
Dan Fortin - Bass

No Reservations
Pay What You Can

Canada-born trumpeter/composer/educator Darren Johnston's interests rotate primarily between performing all styles of jazz, purely improvised music, new music, and various other traditional musics, especially that of the Balkans, Greece, and Macedonia. He is especially drawn to music that tends to defy categorization, and is also generally open to further suggestions.

After twenty one years in the Bay Area, Johnston recently relocated to Brooklyn, NY in 2019. In the time since moving there, he has played and/or recorded withChes Smith, Dayna Stephens, Carmen Staaf, Michael Formanek, Tony Malaby, Michael Attias, Slavic Soul Party!, Raya Brass Band, The Peter Hess Quartet, Michael Vatcher, and many more.

As a composer he has written for ensembles ranging from small jazz groups, to big-bands, brass bands, string quartets, choirs, rock bands, and countless combinations thereof. He has been commissioned to write for dance, dance film, theater, video games, and by museums such as San Francisco's De Young Museum, and other presenting organizations such as the Yerba Buena Garden Festival, and Intersection For The Arts.

He has performed and/or recorded with luminaries such as Marshall Allen, Gerald Cleaver, Fred Frith, ROVA Sax Quartet, Ben Goldberg, Allison Miller, Mark Dresser, Myra Melford, Marcus Shelby, Pete Escovedo, Erik Jekabson's "Electric Squeezebox Orchestra," and many others, across the USA and around the world.

As a bandleader, past projects include The United Brassworkers Front, The Nice Guy Trio, The Darren Johnston Quintet, The Pipes, Broken Shadows Family Band, Trans-Global People's Chorus, and innumerable one-offs. Current projects include the Chicago-based Life In Time, featuring Geof Bradfield, Clark Sommers, and Dana Hall, a NYC-based trio, Breathing Room, featuring Carmen Staaf, and Michael Formanek, and the NYC-based Wild Awake quintet, featuring Dayna Stephens, Jacob Sacks, Sean Conly, and Ches Smith. An all-Canadian collective quartet, temporarily put on hold by the pandemic, is now preparing to pick up where it left off, featuring Anna Webber, Michael Bates, and Toronto-based Nick Fraser.

As an educator Johnston has taught at Stanford Jazz Workshop's summer program and throughout the year in their "Giant Steps" program, Jazz Camp West, The Jazzschool, and as an adjunct at UC Berkeley. As a guest lecturer he has been invited to present master classes on improvisation, "a holistic approach to music theory", and "compositional approaches to daily practice," at institutions such as Sonoma State University, Cal Arts, and others.

Brian Charette Organ Trio
May 20, 21, 22, 23 @ 8:00 PM

Brian Charette - Organ
Ted Quinlan - Guitar
Jordan Young - Drums

NYC and LA organist/pianist, Brian Charette, has established himself as a leading  voice in modern jazz. Charette is a Hammond U.S.A, Hammond Europe, I.K  Multimedia, and Casio endorsed, Cellar Live recording artist. Brian is a Critic’s  Poll and Reader’s Poll regular, in 2024, #2 on the 2024 Downbeat Critic’s Poll for  organ and #6 for keyboards. Brian was also the winner of the 2014 Downbeat Critics’ Poll “Rising Star: Organ” award and 2015 Hot House Magazine's “Fan's  Decision Jazz Award for Best Organist”. Charette’s new Cellar Live release,  Jackpot, was recorded at Rudy Van Gelder’s hallowed studio featuring Bill Stewart  on drums. The album received 4 stars from Downbeat and was on the Jazzweek radio chart for months, peaking at #9 for 6 weeks. Charette is also a prolific  composer of large ensemble music, penning and performing compositions with  The Jazz Dock Orchestra in Prague and The Modern Art Orchestra in Budapest

Chris Hunt Tentet
May 23 @ 2:00 PM

Rebecca Pellet - Vocals
Chris Roberts - Saxophone
Paul Schofield - Saxophone
John Pittman - Trumpet
Pat Blanchard - Trombone
Tim Shia - Drums
Chris Banks - Bas
Chris Hunt - Trombone

No Reservations
Pay What You Can

Chris Hunt is a Toronto-based trombonist, composer and arranger with more than 25 years of experience on Toronto’s vibrant jazz scene.  A graduate of the University of Toronto’s Jazz Performance program, he built lasting musical partnerships there that continue to shape his work today.  Those collaborations form the backbone of his signature ensemble, The Chris Hunt Tentet, where his writing and arranging take center stage.  

Neon Eagle
may 16 , 23, 30 @ 5:00 PM

Led by: Mike Eckert - Pedal Steel

No Reservations
Pay What You Can

Bringing entrancing instrumental fusion music featuring the pedal steel.

Come in, sit back, and feel the hypnotic vibes of this incredible group!

Brian Charette Organ Trio
May 20, 21, 22, 23 @ 8:00 PM

Brian Charette - Organ
Ted Quinlan - Guitar
Jordan Young - Drums

NYC and LA organist/pianist, Brian Charette, has established himself as a leading  voice in modern jazz. Charette is a Hammond U.S.A, Hammond Europe, I.K  Multimedia, and Casio endorsed, Cellar Live recording artist. Brian is a Critic’s  Poll and Reader’s Poll regular, in 2024, #2 on the 2024 Downbeat Critic’s Poll for  organ and #6 for keyboards. Brian was also the winner of the 2014 Downbeat Critics’ Poll “Rising Star: Organ” award and 2015 Hot House Magazine's “Fan's  Decision Jazz Award for Best Organist”. Charette’s new Cellar Live release,  Jackpot, was recorded at Rudy Van Gelder’s hallowed studio featuring Bill Stewart  on drums. The album received 4 stars from Downbeat and was on the Jazzweek radio chart for months, peaking at #9 for 6 weeks. Charette is also a prolific  composer of large ensemble music, penning and performing compositions with  The Jazz Dock Orchestra in Prague and The Modern Art Orchestra in Budapest

La-Nai Gabriel Power Hour
May 23 @ 11:00 PM

La-Nai Gabriel - Piano/Vocals

Jason Jones - Guitar

Ryan Spratt - Bass

Galen Pelley - Drums

No Reservations
Pay What You Can

La-Nai Gabriel is an award winning composer, arranger, producer, and sound designer. She is a graduate of the Music Studies program at Humber College in Toronto, and the Sound and Music Recording program at Recording Arts Canada in Montreal. While performing extensively in Canada and internationally in the United States, Japan, United Kingdom, and Southeast Asia, La-Nai has been featured as a music director and arranger for commercial and artistic musical projects as well as a songwriter and composer for their own work.

La-Nai recently received a 2024 Canadian Screen Award (CSA) for Best Original Music, Documentary for episode one of Black Community Mixtapes (City TV). La-Nai also received a 2022 Canadian Screen Music Award (CASMA) for Best Original Score for Interactive Media with co-composer Janal Bechthold for their work on “No Reason to Apologize: The Resilient Legacy of Viola Desmond”, produced by Teach Media.

She is featured as composer for the 12-part docuseries “Dreams in Vantablack” by director Ian Keteku, which premiered on CBC Gem in September 2022. Her work as a composer will also be featured in episodes of “Thomas and Friends: All Engines Go!”, “Superwish”, and “Gisele’s Mashup Adventures”.

As an active producer, La-Nai has produced and engineered projects for The Electric Storm Collective (Co-produced with Carlie Howell), Brianna Goldberg, and Finest Summer. La-Nai is a featured saxophonist on the latest release by Tanika Charles, “Papillion de Nuit” released April 2022. She has arranged winds, strings, and vocals for Madame Gandhi, Maylee Todd, Claire Davis, Maya Killtron, Bowed Arts String Quintet, Gary Beals, Leah Canali, and Kizis. Her arranging work is featured on three songs on Vivek Shraya’s 2017 Polaris Prize long list nominated album “Part-Time Woman” featuring Queer Songbook Orchestra.

Her production, under the alias laaain, is featured on Leah Canali’s debut EP “Light +Dark” , on “IDFT:The Secret Track” featuring Katya Zamo, and co-written by Tafari Anthony. “Away Mission”, laaain’s first self-produced EP, was released in 2021. In addition to her work as a recording artist, La-Nai co-composed the new musical “burden of proof” alongside Scott Christian and writer Rob Kempson, which was featured as part of the Canadian Musical Theatre Project 2020 season at Sheridan College in Oakville, Ontario.

TUMAKO
May 24 @ 2:00 PM

Marco Bonatti - Baritone Sax.

Mike Falla - Trumpet

Alex Merrick - Drums

Michael Rolin - Electric guitar

Simon Mayhew - Electric Bass

Robert Bravo - Digital Keyboard

No Reservations
Pay What You Can

Tumako is a Toronto-based instrumental Funk, Rock and Soul group. The members combine tight, accomplished musicianship with total commitment to setting a groove that energizes audiences and inspires people to dance. Through its live shows, Tumako has been bringing fun, rhythmically driven music and strong improvisational stylings to Toronto audiences since 2015. 

With three recorded albums, Tumako provides a very colorful musical palette of original music that combines various influences from Rock, Jazz, Soul, Funk, Pop, and a little bit of Afrobeat. Members include founder and bandleader Robert Bravo on keyboard and electric bass, Marco Bonatti on baritone sax, Alex Merrick on drums, Michael Rolin on electric guitar, Simon Mayhew on electric bass, and Mike Falla on trumpet. 

Tumako has played well established venues throughout the city such as Drom Taberna, The Gladstone Hotel, and The HorseShoe Tavern. Highlights include performances at The Brampton World of Jazz Festival, The TD Festival of South Asia, and the inaugural Taste of North York Festival.

Grant Lyle & Brotherhood
May 24 @ 5:00 PM

Grant Lyle - Guitar / Vocals
Scott Brammer - Bass
Al Cross - Drums

No Reservations
Pay What You Can

Veteran Canadian Roots & Blues musician, 
Grant Lyle is an esteemed guitarist,
singer and songwriter.

Having performed in top clubs,
festivals and other select venues,
his fresh approach and unique
craft is tastefully displayed on each
of his eight albums to date.

Grant has consistently enthralled
audiences with his ceaseless
dedication and passion for the
music he plays.

Grant's commitment to the quality
of music shines through while
performing live as much as in the studio.

Horace Silver Flutes Group
May 24 @ 8:00 PM

Bill McBirnie / Jeremy Price - Flutes
Mark Eisenman - Piano
Jordan O' Connor - Bass
Richard Brisco - Drums

Toronto's Bill McBirnie and Vancouver's Jeremy Price bring their Two-Flute tribute to Horace Silver, Horace Silver Flutes, to The Rex for a rare performance on Sunday May 24, 2026 at 8 pm.  The flutes are supported by the "first call" rhythm section of Mark Eisenamann on piano, Jordan O'Connor on bass, and Richard Brisco on drums.

Horace Silver was known to incorporate flute on such recordings as The Jody Grind and Silver n Brass, but one is hard pressed in jazz to find two flutes (with rhythm section) recorded in Jazz.  There are two noteable precedents;  the Sam Most-Joe Farrell and Herbie Mann - Bobby Jasper tandems, and, of course, Flutology, the group of Frank Wess, Holly Hoffmann, and Ali Ryerson.

Canada's contribution to this jazz flute tandems celebrates the music of Horace Silver in all its univerally appealing glory !

The Rohaam Keyvani Trio
May 25 @ 5:00 PM

Rohaam Keyvani - Piano
Christopher Parnis - Bass
Petros Anagnostakos - Drums

No Reservations
Pay What You Can

The Rohaam Keyvani Trio plays plethora of songbook tunes from writers like, Irving Berlin, George Gershwin and more!

Trombone Charlotte
May 5, 12, 19, 26 @ 5:00 PM

BAND TBA

NO RESERVATIONS

PAY WHAT YOU CAN

A force in the city’s jazz scene since 2016, Charlotte has spent nearly a decade crafting her sound as both a sideman and star. Since stepping into the spotlight in 2021, she’s led high-energy ensembles across Canada’s top stages — Toronto Jazz Festival, Kensington Market Jazz Festival, Port Hope, Mont Tremblant, and a knockout appearance at Massey Hall’s Women’s Blues Revue where she belted out originals that brought the house down.

Classic REx jam
hosted by chris banks
May 5th, 12th, 19th, and 26th @ 8:00pm

NO RESERVATIONS

$10 Cover Charge

Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!

Hosted by the legendary Chris Banks.

Emmett Hodgins
May 27 @ 5:00 PM

Emmett Hodgins - Piano
Band - TBA

No Reservations
Pay What You Can

Emmett Hodgins is a Victoria BC born pianist proficient in classical, jazz, folk and contemporary piano. After completing his RCM 10 and teaching at the VCM in Victoria, Emmett moved to Toronto to pursue Bachelors in Jazz Performance at Humber college. Now graduated with Honours Emmett is regularly active in the Toronto and Victoria music scenes as a pianist, singer, composer, and bandleader of his own groups the “Emmett Hodgins Trio’ and the ‘Emmett Hodgins Coast group” (a septet modern jazz group playing strictly original music). Emmett is now residing in the West End of Toronto in his 7th year of teaching piano. He continues to figure in Toronto's Jazz and greater music scene. Emmett recently released his first album with the Emmett Hodgins Coast Group titled Idyllic. 

Emmett has played with prominent musicians including Joceyln Gould and her Quintet, Daniel Lapp, Shane Cook, Ashley MacIsaac, Mark Holmes, Russell Hall, Michela Lerman, Max Pollak, Heather Cornell, Ethan Ardelli, Dan Fortin, Morgan Childs, Shirantha Beddage, Larnell Lewis, Dhaviat Jani as well as Roshane Wright.

Kaiso Street Collective
May 27, 28, 29, 30 @ 8:00 PM

Andrew Marzotto - Guitar
Ewen Farncombe - Piano
Michael Davidson - Vibraphone,
Roberto Occhipinti - Bass
Anthony Daniel - Bass
Alexander Brown - Trumpet
Kelsey Grant - Trombone
Jeff La Rochelle - Saxophone / Clarinet Jesse Ryan - Music director and performs on alto and soprano saxophones.

Kaiso Street Collective is a new ensemble made up of some of Toronto’s most exciting improvisers and composers, all of whom share deep musical and cultural ties to jazz and Afro-Caribbean traditions. 

Led by Juno-nominated, Trinidadian-born saxophonist Jesse Ryan—grandson of the late calypso icon Clifton Ryan, The Mighty Bomber—the group is dedicated to bringing the golden age of calypso to new audiences through the lens of modern jazz. With bold arrangements and deep respect for tradition, the ensemble reimagines calypso as a living art form rooted in both resistance and joy. 

Each season, the group will spotlight the work of a legendary calypsonian, preserving their legacy while celebrating the global impact of calypso as a force for cultural expression and social change. In its inaugural season, the Collective is premiering the music of The Mighty Bomber and one of his greatest influences, The Mighty Spoiler (Theophilus Philip). 

This season’s lineup features award-winning guitarist Andrew Marzotto, Juno-nominated pianist Ewen Farncombe, vibraphonist Michael Davidson, Juno Award-winning bassist Roberto Occhipinti, drummer Anthony Daniel, Cuban-Canadian trumpeter Alexander Brown, trombonist Kelsey Grant, and saxophonist/clarinetist Jeff La Rochelle. Jesse Ryan serves as music director and performs on alto and soprano saxophones.

Mitzve Tants with Queen Kong
May 28 @ 2:00 PM

Led by Lorie Wolf - Drums / Vocals
Band - TBA

No Reservations
Free Event

Queen Kong is an exploration of music inspired by the Radical Jewish Culture movement in New York founded by pioneer John Zorn . Led by Toronto drummer, vocalist and composer, Lorie Wolf, Queen Kong seamlessly blends Ashkenazi Jewish idiom with jazz, free improv, rock and punk to explore new sounds and ideas.

Maureen Kennedy
May 28 @ 5:00PM

Maureen Kennedy - Vocals
Nancy Walker - Piano
Neil Swainson - Bass

No Reservations
Pay What You Can

Vocalist Maureen Kennedy developed her love for jazz in her early twenties when she studied for six years with Canadian flugelhorn and trumpet player Fred Stone, renowned for his work with Duke Ellington and Charles Mingus in the 1960s.  The clarity of her tone, her restrained use of vibrato, and unaffected vocal style, developed under his tutelage.  As a young student, Maureen also received a Canada Council grant to participate in the Jazz Workshop at the Banff Centre for the Arts, which, at the time, was under the direction of bassist Dave Holland and pianist Don Thompson.

After Banff, Maureen performed regularly in Toronto.  During this time, she received a number of very positive reviews from Val Clery, regular jazz columnist for The Toronto Star. In 1987 he named her Most Promising Vocalist for that year.

Maureen took time-off from her career to raise a family and seek new experiences, but this break only contributed to her growth as an artist.  It gave her time to research the music she loves and cultivate an extensive repertoire of memorable standards and rediscovered gems that compliment her very personal sound and reflect her musical curiosity.  This is evident in her debut recording This Is Always, which features a selection of classic standards as well as rarely recorded compositions by Billy Strayhorn, Jimmy Van Heusen, Johnny Burke and Alec Wilder.

This Is Always was produced by Kieran Overs and engineered by Juno Award winner Chad Irschick at Inception Sound studio in Toronto.  Accompanying Maureen on the disc are Toronto based musicians Nancy Walker (piano), Kieran Overs (bass) and Anthony Michelli (drums).

Since its Canadian release in 2004, the disc has received airplay on various CBC radio shows including Jazz Beat and After Hours and the new CBC radio jazz program Tonic; Jazz FM 91 in Toronto.  It also reached #6 on the National Jazz Chart in Canada for campus and community radio.  

In 2005, Ted Ono, a respected jazz historian who runs a Canadian-based jazz label with American distribution called Baldwin Street Music, heard Maureen sing at the Toronto jazz club The Montreal Bistro.  He approached Maureen with a request to add the recording to his label and it was released in the U.S. in January 2006.  Mr. Ono has described Maureen’s vocal approach as “straightforward, understated, and sincere.” 

Since it’s American release it has been played on a variety of NPR jazz shows, the New Orleans Jazz station WWOZ, and the nationally syndicated, Public Radio International program, Jazz After Hours. 

In April 2013, Maureen released her second CD, Out of the Shadows.   It was recorded with the assistance of CBC recording engineer Ron Searles and producer Ted Ono.  The CD features Reg Schwager (guitar); Steve Wallace (bass); Mike Murley (saxophone); and Andrew Millar (drums.)  The recording continues to be played on Toronto’s Jazz FM 91.1 .  It has also been played on the CBC radio program Tonic and is on regular rotation on the website CBC Music.  

Baldwin Street Music released the recording in the United States in April, 2014. The album reached 110 on the JAZZWEEK jazz chart and was on regular rotation on the syndicated PRI program Jazz After Hours and the New Orleans jazz station WWOZ. Her recording received several notable reviews including one in the jazz publication JAZZIZ. 

Maureen’s vast musical knowledge was put to great use in her work as a Media Librarian and visual researcher for the CBC in Toronto.   In her job she catalogued archival arts, music and entertainment programming on television and radio, which enabled her to expand her knowledge of Canadian jazz history.

Kaiso Street Collective
May 27, 28, 29, 30 @ 8:00 PM

Andrew Marzotto - Guitar
Ewen Farncombe - Piano
Michael Davidson - Vibraphone,
Roberto Occhipinti - Bass
Anthony Daniel - Bass
Alexander Brown - Trumpet
Kelsey Grant - Trombone
Jeff La Rochelle - Saxophone / Clarinet Jesse Ryan - Music director and performs on alto and soprano saxophones.

Kaiso Street Collective is a new ensemble made up of some of Toronto’s most exciting improvisers and composers, all of whom share deep musical and cultural ties to jazz and Afro-Caribbean traditions. 

Led by Juno-nominated, Trinidadian-born saxophonist Jesse Ryan—grandson of the late calypso icon Clifton Ryan, The Mighty Bomber—the group is dedicated to bringing the golden age of calypso to new audiences through the lens of modern jazz. With bold arrangements and deep respect for tradition, the ensemble reimagines calypso as a living art form rooted in both resistance and joy. 

Each season, the group will spotlight the work of a legendary calypsonian, preserving their legacy while celebrating the global impact of calypso as a force for cultural expression and social change. In its inaugural season, the Collective is premiering the music of The Mighty Bomber and one of his greatest influences, The Mighty Spoiler (Theophilus Philip). 

This season’s lineup features award-winning guitarist Andrew Marzotto, Juno-nominated pianist Ewen Farncombe, vibraphonist Michael Davidson, Juno Award-winning bassist Roberto Occhipinti, drummer Anthony Daniel, Cuban-Canadian trumpeter Alexander Brown, trombonist Kelsey Grant, and saxophonist/clarinetist Jeff La Rochelle. Jesse Ryan serves as music director and performs on alto and soprano saxophones.

Sean McCarthy's Tap Room Gang
May 29 @ 5:00 PM

Led by Sean McCarthy
Band - TBA

No Reservations
Pay What You Can

Sean McCarthy is a Canadian saxophonist, composer, and bandleader based in Toronto, Ontario, Canada. He is a member of several bands including The Cecil Street Syncopators, Isaak Bonk & The Roast Chicken Ramblers, Combo Royale, and Musette. He also leads various bands and has appeared as a sideman notable groups such as  The Happy Pals, Nathan Beja's Vipers Cloud, The New Orleans Connection All-Stars. 

Though he specializes in the soprano saxophone he has also performed on saxophones (Alto, Tenor, & Baritone), clarinets (Bb & Bass Clarinet), and flutes.

Kaiso Street Collective
May 27, 28, 29, 30 @ 8:00 PM

Andrew Marzotto - Guitar
Ewen Farncombe - Piano
Michael Davidson - Vibraphone,
Roberto Occhipinti - Bass
Anthony Daniel - Bass
Alexander Brown - Trumpet
Kelsey Grant - Trombone
Jeff La Rochelle - Saxophone / Clarinet Jesse Ryan - Music director and performs on alto and soprano saxophones.

Kaiso Street Collective is a new ensemble made up of some of Toronto’s most exciting improvisers and composers, all of whom share deep musical and cultural ties to jazz and Afro-Caribbean traditions. 

Led by Juno-nominated, Trinidadian-born saxophonist Jesse Ryan—grandson of the late calypso icon Clifton Ryan, The Mighty Bomber—the group is dedicated to bringing the golden age of calypso to new audiences through the lens of modern jazz. With bold arrangements and deep respect for tradition, the ensemble reimagines calypso as a living art form rooted in both resistance and joy. 

Each season, the group will spotlight the work of a legendary calypsonian, preserving their legacy while celebrating the global impact of calypso as a force for cultural expression and social change. In its inaugural season, the Collective is premiering the music of The Mighty Bomber and one of his greatest influences, The Mighty Spoiler (Theophilus Philip). 

This season’s lineup features award-winning guitarist Andrew Marzotto, Juno-nominated pianist Ewen Farncombe, vibraphonist Michael Davidson, Juno Award-winning bassist Roberto Occhipinti, drummer Anthony Daniel, Cuban-Canadian trumpeter Alexander Brown, trombonist Kelsey Grant, and saxophonist/clarinetist Jeff La Rochelle. Jesse Ryan serves as music director and performs on alto and soprano saxophones.

Margareet Donovan Sextet
May 30 @ 2:00 PM

Led by : Margareet Donovan - Trombone
Band - TBA

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Pay What You Can

Margaret Donovan is a trombonist, composer and sound engineer. Originally from Vancouver, British Columbia, she studied jazz trombone at McGill University in Montreal before making the recent move to Toronto in 2025. During her time in Montreal, she studied with renowned musicians Dave Grott, Jean-Nicolas Trottier, Camille Thurman and Remi Bolduc. She earned a coveted spot as a member of L’Orchestre National de Jazz, performed with various latin music ensembles, hip hop brass bands, balkan brass ensembles, small jazz groups and much more. Her proudest accomplishments to date have been the recent completion of her music for big band, as well as the “Facade Sextet” that she co-leads alongside drummer Matys Colpron. Margaret is now studying to earn her Masters in Music Technology and Digital Media from the University of Toronto.

Neon Eagle
may 16 , 23, 30 @ 5:00 PM

Led by: Mike Eckert - Pedal Steel

No Reservations
Pay What You Can

Bringing entrancing instrumental fusion music featuring the pedal steel.

Come in, sit back, and feel the hypnotic vibes of this incredible group!

Kaiso Street Collective
May 27, 28, 29, 30 @ 8:00 PM

Andrew Marzotto - Guitar
Ewen Farncombe - Piano
Michael Davidson - Vibraphone,
Roberto Occhipinti - Bass
Anthony Daniel - Bass
Alexander Brown - Trumpet
Kelsey Grant - Trombone
Jeff La Rochelle - Saxophone / Clarinet Jesse Ryan - Music director and performs on alto and soprano saxophones.

Kaiso Street Collective is a new ensemble made up of some of Toronto’s most exciting improvisers and composers, all of whom share deep musical and cultural ties to jazz and Afro-Caribbean traditions. 

Led by Juno-nominated, Trinidadian-born saxophonist Jesse Ryan—grandson of the late calypso icon Clifton Ryan, The Mighty Bomber—the group is dedicated to bringing the golden age of calypso to new audiences through the lens of modern jazz. With bold arrangements and deep respect for tradition, the ensemble reimagines calypso as a living art form rooted in both resistance and joy. 

Each season, the group will spotlight the work of a legendary calypsonian, preserving their legacy while celebrating the global impact of calypso as a force for cultural expression and social change. In its inaugural season, the Collective is premiering the music of The Mighty Bomber and one of his greatest influences, The Mighty Spoiler (Theophilus Philip). 

This season’s lineup features award-winning guitarist Andrew Marzotto, Juno-nominated pianist Ewen Farncombe, vibraphonist Michael Davidson, Juno Award-winning bassist Roberto Occhipinti, drummer Anthony Daniel, Cuban-Canadian trumpeter Alexander Brown, trombonist Kelsey Grant, and saxophonist/clarinetist Jeff La Rochelle. Jesse Ryan serves as music director and performs on alto and soprano saxophones.

Neil Quin
May 30th @ 11:00 PM

Led by: Neil Quin - Vocals / Guitar
Jason Bhattacharya- Drums
Aaron Comeau- Bass
Marcus Quin- Cello & Mandolin
Mike O’Brien- Guitar
Thadeus Garwood- Piano/Keys

No reservations
Pay What You Can

Neil Quin is a Toronto based songwriter and session musician best known for his role in the band Zeus. With many years logged on the road in Canada, Europe and United States, he has cultivated an eclectic writing and performance style. He is in the process of recording his first solo record, working with locally renowned engineers Don Kerr and Carlin J Nicholson

JAZZINTORONTO presents: NATHAN HILTZ – Solo Guitar MasterclassMay 31 @ 11:30 am

Pay-What-You-Can

No Reservations

Nathan has taught guitar to students of all ages for over 25 years. He has a Bachelor of Music from Humber College and Masters of Music from The University of Toronto. He is passionate about guitar pedagogy and loves teaching students at any level. Fluent in jazz, classical, brazilian, and folk / country styles, Nathan especially enjoys:

-getting beginner students inspired and started correctly
-helping intermediate students get out of ruts and gain momentum
-guiding advanced students down a clear path through the wide world of jazz guitar

Nathan has successfully prepared students for auditions at University of Toronto, Humber College, York University, and McGill University. 

This event is part of the 2026 JazzInToronto Community Celebration festival - for details visit: www.jazzintoronto.ca

Global Jazz Sundays: Jonathan Nvita
may 31 @ 2:00 PM

Jonathan Nvita -Voice & Acoustic Guitar
Dhaivat Jani - Drums
Max Wilson - Bass (Electric)
Luis Anselmi - Piano
Hiro Suzuki - Guitar
Sid Kota - Guitar
Tyler Campbell - Saxophone

No Reservations
Pay What You Can

Jonathan Nvita was born in Kinshasa (DRC), fourth of five children. Nvita had a passion for music since age 5, following in the footsteps of his late father, who was a choir conductor and guitar player. He desired to pursue his love for music on an academic level. Because of his father's death, he missed the opportunity to attend music school and instead spent his adolescence studying chemistry and biology. Despite studying a different subject, music was still his passion.As he got older, his approach to music grew drastically inthe way that his interest in music shifted in the direction ofhis heroes such as Lokua Kanza, Luambo Makiadi, RichardBona, Bobby McFerrin, and Al Jarreau.Nvita has a bachelor’s degree in music at Humber Collegewhere he got the opportunity to study with manyoutstanding teachers in Canada. Nvita combines jazz knowledge with his African heritagethrough song, rhythm, and dance. He believes that “musicis spiritual," a tool that helps to communicate with God,the ancestors, and to reconnect with the beautiful land ofAfrica. Nvita's only goal in life is to bring peace between nations,put a smile on people's faces, share love, educate peoplethrough lyrics, and raise awareness. Prepare to be transported by the dynamic rhythms,haunting melodies, and rich harmonies that define thisexceptional debut. Join us in celebrating the arrival of anew voice in African jazz, one that honors the past whileboldly forging a new path forward.

Laura hubert Band
May 3, 17, 31 @ 5:00 PM

Led by : Laura Hubert - Vocals

No Reservations
Pay What You Can

Canadian vocal treasure, born and raised in Toronto, Laura Hubert has remained a steady force on the city’s music scene over the past 25 years. Although she retired from rock and roll back per se when JUNO-winning indie-rock group Leslie Spit Treeo split up late last millennium, for several decades now she has been singing her soulful interpretations of vintage blues, jazz and Western swing all over the Greater Toronto Area. “I want to participate in the joy of the world, try to keep it light,” says Hubert.  “Just trying to have some fun. Sing some songs. Make some music. Give some joy.”

Over the years she recorded 3 solo albums with her band, led by pianist Peter Hill and featuring some of Toronto’s finest including Chris Whiteley, Brandi Disterheft, Victor Bateman, William Sperandei: “Girlish Days” (2000), “Live at the Rex” (2001) and “Half Bridled” (2004).

In the years since these recordings, Hubert and her fans enjoyed residencies at venerable venues such as Grossman’s Tavern, The Cameron House and The Rex Hotel. Singing many of the same old classic songs over the years, like the finest of wine Hubert’s art has aged in the best way, her bluesy growl deeper and more powerful than ever.

“One Night in Kensington” is an initiative spearheaded by Order of Canada member, singer-songwriter and long-time friend of Hubert, is the new recording fans have long been waiting for. “Hubert’s unique and soulful vocal delivery can make any old song sound brand new,” says Molly Johnson.

Produced by Johnson and her Kensington Market Jazz Festival team, the new album live at Poetry Jazz Café find Hubert in the happy company of four very fine players: Eric St-Laurent on guitar, Davide DiRenzo on drums, Steve Wallace on bass and long-time musical partner Peter Hill on piano.  

Philippe Lemm Trio
May 31 & June 1 @ 8:00 PM

Philippe Lemm - Drums
Sharik Hasan - Piano
Jeff Koch - Bass

"Winner of the International B-Jazz Competition and Winner of Best Solist Prize. The Philippe Lemm Trio is continually proving to be one of the most exciting and electrifying jazz trio's around today. Led at the helm by drummer Philippe Lemm, the group met in New York in 2011, and after one session together, realized that their undeniable chemistry was one that needed to be taken and shared with the world.

Comprised of three musicians with exceptional command of their instruments, the group's repertoire draws heavily from re-imaginations of jazz standards in a way that both defies genre and corresponds to any modern jazz fan.
The group uses their trust and understanding of one another's musical tendencies to create passionate musical soundscapes, which range from traditional jazz to the progressive rock/classical-influenced music.
Hearing the trio is a special and unforgettable experience, and you will be captivated after listening to one piece."

Their TV appearance on the TV-show Vrije Geluiden led to sold out concerts throughout The Netherlands, Belgium and Germany on the first half of their European CD release tour.

The trio has performed on stages like: North Sea Jazz Festival, Blue Note Note NYC, Kennedy Center, Ronnie Scotts, Pori Jazz Festival and Concertgebouw

Philippe Lemm Trio
May 31 & June 1 @ 8:00 PM

Philippe Lemm - Drums
Sharik Hasan - Piano
Jeff Koch - Bass

"Winner of the International B-Jazz Competition and Winner of Best Solist Prize. The Philippe Lemm Trio is continually proving to be one of the most exciting and electrifying jazz trio's around today. Led at the helm by drummer Philippe Lemm, the group met in New York in 2011, and after one session together, realized that their undeniable chemistry was one that needed to be taken and shared with the world.

Comprised of three musicians with exceptional command of their instruments, the group's repertoire draws heavily from re-imaginations of jazz standards in a way that both defies genre and corresponds to any modern jazz fan.
The group uses their trust and understanding of one another's musical tendencies to create passionate musical soundscapes, which range from traditional jazz to the progressive rock/classical-influenced music.
Hearing the trio is a special and unforgettable experience, and you will be captivated after listening to one piece."

Their TV appearance on the TV-show Vrije Geluiden led to sold out concerts throughout The Netherlands, Belgium and Germany on the first half of their European CD release tour.

The trio has performed on stages like: North Sea Jazz Festival, Blue Note Note NYC, Kennedy Center, Ronnie Scotts, Pori Jazz Festival and Concertgebouw

Classic REx jam
hosted by chris banks
jUNE 2, 9, 16, 30 @ 8:00pm

NO RESERVATIONS

$10 Cover Charge

Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!

Hosted by the legendary Chris Banks.

Classic REx jam
hosted by chris banks
jUNE 2, 9, 16, 30 @ 8:00pm

NO RESERVATIONS

$10 Cover Charge

Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!

Hosted by the legendary Chris Banks.

Classic REx jam
hosted by chris banks
jUNE 2, 9, 16, 30 @ 8:00pm

NO RESERVATIONS

$10 Cover Charge

Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!

Hosted by the legendary Chris Banks.

Classic REx jam
hosted by chris banks
jUNE 2, 9, 16, 30 @ 8:00pm

NO RESERVATIONS

$10 Cover Charge

Jam with us! Enjoy our house band (a collection of beloved all-stars) spontaneously creating musical goodness just for you!

Hosted by the legendary Chris Banks.