Egbo Trio With thompson egbo egbo
December 4, 5, 6, 7 @ 8:30 PM
Thompson Egbo Egbo - Piano
Randall Hall - Bass
Jeff Halischuk - Drums
Acclaimed Toronto composer and pianist Thompson Egbo-Egbo is always in key. Deeply rooted
in his upbringing – moving to Canada from Nigeria at age four, commencing his dedication to
playing the piano at the age of six – his innate aptitude and affection for the instrument
resonates with him to this day. The key that keeps everything aligned is one where Thompson is
in tune with his environment, collaborators, community and a signature approach to the art.
On his forthcoming project, set for release via MNRK Music Group this fall, Thompson will draw
from themes of transition, rebirth, realignment, joy, and optimism for the future. Partly
inspired by the shifts and impact the last two years of the pandemic has placed on both a
personal and professional level, audiences will experience the growth and depth of Thompson’s
writing, as an offering of sonic catharsis and hope.
The project’s first single, Smells Like Teen Spirit, is a classic cover that many may have heard in
one of Thompson’s live performances. The reimagined version shows that, no matter where it’s
played or who it’s played for, it connects with people of all generations and cultures.
Before Thompson began playing his way through landmark venues across Toronto, he honed
his skill in the heart of the city. At Dixon Hall, a community center down the street from where
he grew up in Toronto's Regent Park, he was able to take piano lessons at two dollars a
session. Growing up in subsidized government development area of Toronto, Egbo-Egbo was
awed by the fact a group of people thought enough of the residences to build a musical school
so that the children of the neighborhood could enjoy to enjoy the neighbourhood could enjoy
the access of affordable music lessons.
As this experience struck a chord in his youth, giving back is a trademark note of Thompson’s
ethos. Thompson served as a member of the board at Dixon Hall for many years and is
currently, on the board at Jazz FM 91. His own organization, The Thompson T. Egbo-Egbo Arts
Foundation, and Evolving Through the Arts program, targets elementary school students
recognizing that a positive change and a sense of self-worth should be instilled in children early
and they be afforded opportunities that all children should receive. The foundation aims to fill a
void in the education of music and arts not found in many communities, and partners with
talented Canadian musicians and artists to provide a well-rounded and focused curriculum,
dedicated to creating a resource for underprivileged Canadian youth to advance in music and
the arts, empowers them through a safe environment to learn and express themselves
artistically, and provides a platform for children to build their confidence, leadership and
teamwork skills.
With degrees in Music from Humber College, and music production at the Berklee College of
Music in Boston, to releasing numerous works and collaborating with some of the world’s most
renowned artists, Thompson’s involvement in music has seen many opportunities come his
way. Last year, Thompson portrayed a young Oscar Peterson in an episode of Historica
Canada’s Heritage Minutes, honouring the artist’s life and career. While he was set to cross the
pond for a recording opportunity at Abbey Road Studios in London, UK, Thompson was still able
to proceed in Toronto to write and record Oddly Familiar – an album released and archived
with Audio Network’s sync library.
Looking ahead, listeners can expect to hear music from the new album in a docuseries project
by Luminato Festival called Golden Hour. The trio will perform at a selection of Ontario festival
dates including Toronto International Film Festival, Kensington Market Jazz Festival, and Orillia
Jazz Festival. Next year, Thompson will be performing Oscar Peterson's music for a special
concert with the Windsor Symphony Orchestra in February 2023.
Thompson Egbo-Egbo shares his experience, ideas and vision with vibrant energy. The key to his
success is not solely unlocked by memorable, harmonically complex compositions that have at
their core a deep, abiding groove, but the connections they create and the doors they open
within the listener.