Nathan Hiltz Quartet
October 4, 11, 18, 25 @ 5:30 PM
Nathan Hiltz - Guitar
Johnny Morin - Tap Dancer (Oct 11)
Brendan Davis - Bass (Oct 11)
Jake Koffman - Saxophone (Oct 18 & 25)
John Meyer - Bass (Oct 18 & 25)
Morgan Childs - Drums (Oct 18 & 25)
No Reservations
$10 Cover Charge
Guitarist and composer born in Antigonish, Nova Scotia in 1980, Nathan began studying guitar at age 12 with a family friend and then later with Ross Anderson, a disciple of George Benson, at the Halifax Folklore Centre. At 15 he met alto saxophonist and Dalhousie music professor Don Palmer and was introduced to the jazz of Lee Konitz, Lennie Tristano, and John Coltrane. After listening to Lenny Breau, he started to hear other great Canadian jazz guitarists like Sonny Grenwich, Ed Bickert, and Lorne Lofsky. Soon after moving to Toronto at age 18 he began performing with drummer Norman Marshall Villeneuve and pianist / hammond organist Bernie Senensky. He has since been recognized as an important voice on the Canadian guitar. Nathan studied with Canadian jazz icons like Don Thomposon, Alex Dean, and Rob McConnell of the Boss Brass. In 2014 Nathan was honoured to perform posthumously with McConnell’s Mighty Boss Brass at Koerner Hall in Toronto.
Nathan is a skilled performer having held residencies with his groups at The Rex Hotel, The Senator Restaurant, The Jazz Bistro, and in Toronto’s thriving theater district at Joe Mama’s for over 9 years. His groups feature music from the classic jazz guitar tradition, the great American songbook, and the great Hammond B3 organ trios and quartets. Nathan is also an accomplished solo guitarist, holding a residency at Motel in Toronto’s Parkdale strip for over 5 years. In this capacity Nathan has explored the solo work of master jazz guitarists like Lenny Breau, Joe Pass, and pianist Bill Evans alongside great South American guitarists like Luiz Bonfa, Garoto, and Augustin Barrios. Nathan is on a constant search for freedom within a wide range of forms and feelings. He injects improvisation into every performance and above all he seeks to dissolve the barriers across genres that are separated by time, place, and style.